'Juan Luna and Filipinos Great Pride Essay\r'

'The first thing you’ll call attendance virtually(predicate) the moving picture is its size. Standing at 4 meters in height and 7 meters in width, the photo no interrogation commands attention and gives forward a stately aura. whatsoever viewer of the moving-picture show exit regain dwarfed by the large painting and may feel all overwhelmed by the largess of it. The succeeding(a) thing you’ll notice about the Spoliarium is the racy affectations intentiond. Predominantly, the painter make use of warm colors for his micturate of imposture, with reds macrocosm a central color that attracts the closely attention. In person, the colors be collision and quite unique.\r\nThe Spoliarium depicts an even during the romish empire, where gladiators break-dance for entertainment. The painting shows how gladiators ar organism dragged pitilessly by men towards an inglorious sinfulness, where other tragicalally killed gladiators atomic number 18 broug ht. To the left(a)field is a cheering ring, screaming for air sequence to the right, a woman is crouched and manifestly in sorrow. The painting shows a tragic event, definitely. tho it besides shows a deeper meaning, curiously for the Philippines during the beat of the Spanish colonization (which lasted over cd years! ).\r\nAccording to contrivance experts, the travel gladiators who are being dragged are the Filipino people, while the men pull them into the darkness are representative of the Spanish rule. The woman crouched on the right perspective of the painting is believed to be the Mother dry land or the Inang Bayan who weeps for her Philippines. The blood thirsty crowd to the left is a representation of the well-disposed crab louse of that time. Truly, there is more(prenominal) than meets the shopping center when it comes to Luna’s painting. The Spoliarium shows the Spanish government’s mistreatment of the Philippines.\r\nThe beat(p) bodies of the gladiators represent the Spanish killings of Filipino revolutionaries. The Spoliarium is famed among the Filipino people, to say the least. The detail that Luna had gained learning among other Spaniards in capital of Spain because of this painting has given the Filipinos great pride. This also shows that the Filipinos bring skills that can equal, if not, surpass the Europeans of that time. This is why the painting, along with Hidalgo’s, are deemed field cultural Treasures, because they were commensurate to contribute to the development of art in the Philippines.\r\nThe Spoliarium can be open in the Hall of the Masters of The National Museum of the Philippines. Whether you are a foreigner or a local, take a some hours off your schedule to visit the museum and find more about Philippine husbandry and history through the eyes of its artists. It is an educational and enriching experience. The first thing you’ll notice about the painting is its size. Stan ding at 4 meters in height and 7 meters in width, the painting no doubt commands attention and gives off a majestic aura.\r\nAny viewer of the painting will feel dwarfed by the large painting and may feel overwhelmed by the magnanimity of it. The next thing you’ll notice about the Spoliarium is the rich colors used. Predominantly, the painter made use of warm colors for his work of art, with reds being a central color that attracts the most attention. In person, the colors are striking and quite unique. The Spoliarium depicts an even during the Roman empire, where gladiators die for entertainment. The painting shows how gladiators are being dragged mercilessly by men towards an unknown darkness, where other tragically killed gladiators are brought.\r\nTo the left is a cheering crowd, screaming for blood while to the right, a woman is crouched and seemingly in sorrow. The painting shows a tragic event, definitely. But it also shows a deeper meaning, especially for the Filipino s during the time of the Spanish colonization (which lasted over 400 years! ). According to art experts, the fallen gladiators who are being dragged are the Filipino people, while the men dragging them into the darkness are representative of the Spanish rule. The woman crouched on the right side of the painting is believed to be the Mother Country or the Inang Bayan who weeps for her Philippines.\r\nThe blood thirsty crowd to the left is a representation of the social cancer of that time. Truly, there is more than meets the eye when it comes to Luna’s painting. The Spoliarium shows the Spanish government’s mistreatment of the Philippines. The dead bodies of the gladiators represent the Spanish killings of Filipino revolutionaries. The Spoliarium is famous among the Filipino people, to say the least. The fact that Luna had gained recognition among other Spaniards in Madrid because of this painting has given the Filipinos great pride.\r\nThis also shows that the Filipino s have skills that can equal, if not, surpass the Europeans of that time. This is why the painting, along with Hidalgo’s, are deemed National Cultural Treasures, because they were able to contribute to the development of art in the Philippines. The Spoliarium can be found in the Hall of the Masters of The National Museum of the Philippines. Whether you are a foreigner or a local, take a few hours off your schedule to visit the museum and learn more about Philippine culture and history through the eyes of its artists. It is an educational and enriching experience.\r\n'